You have a few options for actually mixing the colors. They typically contain fewer pigments and you know exactly what you're getting.Ĭheaper paints do not label the pigments, but you're typically getting more than one pigment in each color. This is one of the reasons to buy the more expensive, artist-quality paints. Sometimes those additional pigments can produce unexpected results. Ideally, you want as few pigments as possible for mixing. Retail stores like Blick also provide this information. For instance, PB-28 is cobalt blue.įor more pigment information, you can check out the manufacturer's website. The pigment will be labeled using 2-3 letter code and number, typically starting with P. Artist quality paints will tell you the pigments used to create the paint. If you're still getting muddy colors, it may be time to check out the label on your paint. Add a tiny bit at a time to get the right color. If in doubt, use more of the light color and the tiniest drop of the darker color when mixing. Light colors like yellow and white are weaker and you will need more of them in a mixture. Typically reds and staining blues like phthalo blue and ultramarine are very strong. Some colors have so much pigment in them that it's easy for that color to take over the color mixture. When mixing colors, keep color strength in mind. You may be pleasantly surprised! Color Strength So remember to think outside the box for mixing colors. I also love mixing greens with purples to create moody tones. The second swatch shows Naples yellow mixed with opera pink, another beautiful combination. In watercolors, I love mixing Naples yellow with ultramarine violet to create a lovely skin tone. This is also a fun way to create interesting colors. Get more tips for creating black watercolors here. Remember to use dark colors in complementary tones when trying to create grays or blacks. Combining ultramarine blue with burnt umber creates a cool gray. This is also a good way to create neutrals. This process creates more realistic colors.įor a more realistic tone of green, add a tiny bit of red. When you mix complementary colors together, you can either make browns and grays or tone down the color. For bright vibrant colors, mix cool colors together (except for orange.) For bright orange, warm tones should be mixed since orange is a warm color.Ĭool reds include alizarin crimson, quinacridone magenta, and permanent carmine.Ĭool yellows include lemon and Hansa yellow light.Ĭool blues include phthalo blue, Manganese, and cerulean. The temperature of each color affects how it mixes with other colors. We all know that one half of the color wheel is warm and the other is cool, but did you know that each color can lean warm or cool? When mixing colors for paint, you need to think of warm colors and cool colors. I've included links to other colors as well. For instance, did you know that you can actually make red paint by mixing magenta and a bit of yellow?įor this demonstration, I'm mostly using the Daniel Smith watercolor mixing set. However, color mixing is a bit more complicated than that. In school, we are taught that every color can be made from primary colors (red, yellow, and blue) plus white and black. Adding black or white to these colors creates shades (darker versions) and tints (pastels.)įor watercolor, we add more water to the color to dilute the pigment when creating a lighter color.įor specific tips about mixing gouache, read this post.
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